Pope Benedict gave a fantastic address to some of the US bishops recently during their ad limina visit. Here is part of what he said:
First, as we know, the essential task of authentic education at every level is not simply that of passing on knowledge, essential as this is, but also of shaping hearts. There is a constant need to balance intellectual rigor in communicating effectively, attractively and integrally, the richness of the Church’s faith with forming the young in the love of God, the praxis of the Christian moral and sacramental life and, not least, the cultivation of personal and liturgical prayer.
It follows that the question of Catholic identity, not least at the university level, entails much more than the teaching of religion or the mere presence of a chaplaincy on campus. All too often, it seems, Catholic schools and colleges have failed to challenge students to reappropriate their faith as part of the exciting intellectual discoveries which mark the experience of higher education. The fact that so many new students find themselves dissociated from the family, school and community support systems that previously facilitated the transmission of the faith should continually spur Catholic institutions of learning to create new and effective networks of support. In every aspect of their education, students need to be encouraged to articulate a vision of the harmony of faith and reason capable of guiding a life-long pursuit of knowledge and virtue. As ever, an essential role in this process is played by teachers who inspire others by their evident love of Christ, their witness of sound devotion and their commitment to that sapientia Christiana which integrates faith and life, intellectual passion and reverence for the splendor of truth both human and divine.
In effect, faith by its very nature demands a constant and all-embracing conversion to the fullness of truth revealed in Christ. He is the creative Logos, in whom all things were made and in whom all reality “holds together” (Col 1:17); he is the new Adam who reveals the ultimate truth about man and the world in which we live. In a period of great cultural change and societal displacement not unlike our own, Augustine pointed to this intrinsic connection between faith and the human intellectual enterprise by appealing to Plato, who held, he says, that “to love wisdom is to love God” (cf. De Civitate Dei, VIII, 8). The Christian commitment to learning, which gave birth to the medieval universities, was based upon this conviction that the one God, as the source of all truth and goodness, is likewise the source of the intellect’s passionate desire to know and the will’s yearning for fulfilment in love.
Only in this light can we appreciate the distinctive contribution of Catholic education, which engages in a “diakonia of truth” inspired by an intellectual charity which knows that leading others to the truth is ultimately an act of love (cf. Address to Catholic Educators, Washington, 17 April 2008). Faith’s recognition of the essential unity of all knowledge provides a bulwark against the alienation and fragmentation which occurs when the use of reason is detached from the pursuit of truth and virtue; in this sense, Catholic institutions have a specific role to play in helping to overcome the crisis of universities today. Firmly grounded in this vision of the intrinsic interplay of faith, reason and the pursuit of human excellence, every Christian intellectual and all the Church's educational institutions must be convinced, and desirous of convincing others, that no aspect of reality remains alien to, or untouched by, the mystery of the redemption and the Risen Lord’s dominion over all creation.
Showing posts with label Benedict XVI. Show all posts
Showing posts with label Benedict XVI. Show all posts
Tuesday, 8 May 2012
Thursday, 26 January 2012
Benedict meets Bakhtin: Towards a Catholic Theory of Literature
In my last post, about Catholicism and the novel, I asked how we might approach the novel from a Catholic perspective. Pope Benedict hasn't, as far as I am aware, addressed this issue directly but he has, perhaps, given us some pointers to work with in his post-synodal exhortation, Verbum Domini.
Time and again he returns in this document to the theme of dialogue: "The novelty of biblical revelation," he writes, "consists in the fact that God becomes known through the dialogue which he desires to have with us."
Now that's a pretty remarkable statement but what's it got to do with the novel? Well, the most obvious link is with the great Russian theorist, Mikhail Bakhtin, who saw the novel as essentially dialogic; it contains a multiplicity of voices competing with each other.
Bakhtin's dialogism and Benedict's may seem to be quite different beasts but the links are certainly worth exploring. For the pope, what matters fundamentally is that "our whole existence becomes a dialogue with the God who speaks and listens, who calls us and gives direction to our lives" whereas, for Bakhtin, it is the, necessarily limited, voices within the novel which matter.
However, Bakhtin does not argue that the text is a self-contained entity or that the author is dead. "Of course, this play with languages (and frequently the complete absence of a direct discourse of his own)," he writes, "in no sense degrades the general, deep-seated intentionality, the overarching ideological conceptualization of the work as a whole."
An Evelyn Waugh novel presents a fundamentally different view of the world from a Thomas Hardy novel; the "overarching ideological conceptualization" of their books differs enormously.
But we could go further. According to Bakhtin, it is not just the author but the reader who impinges upon the text. Indeed, it may be that, for Catholics, the true significance of the novel lies in the ways we read it, in what Bakhtin called the "ideological becoming" of the reader. Rather than get sucked into an argument with Orwell about how many Catholics have been good novelists, we can instead approach the novel from the opposite direction. It is what the novel does to us that matters.
There's much more to Bakhtin (and Benedict) than I have set out here but that's probably enough for one post.
Monday, 21 November 2011
Benedict meets Basil: Towards a Catholic Theory of Literature
Is it possible to have a Catholic theory of literature?
Over the next few weeks I shall try to explore a few different approaches, starting with one suggested by Pope Benedict in his General Audience on St Basil:
"Basil," he said, "was of course also concerned with that chosen portion of the People of God, the youth, society's future. He addressed a Discourse to them on how to benefit from the pagan culture of that time.
He recognized with great balance and openness that examples of virtue can be found in classical Greek and Latin literature. Such examples of upright living can be helpful to young Christians in search of the truth and the correct way of living (cf. Ad Adolescentes 3).
"Therefore, one must take from the texts by classical authors what is suitable and conforms with the truth: thus, with a critical and open approach - it is a question of true and proper "discernment"- young people grow in freedom.
"With the famous image of bees that gather from flowers only what they need to make honey, Basil recommends: "Just as bees can take nectar from flowers, unlike other animals which limit themselves to enjoying their scent and colour, so also from these writings... one can draw some benefit for the spirit. We must use these books, following in all things the example of bees. They do not visit every flower without distinction, nor seek to remove all the nectar from the flowers on which they alight, but only draw from them what they need to make honey, and leave the rest. And if we are wise, we will take from those writings what is appropriate for us, and conforms to the truth, ignoring the rest" (Ad Adolescentes 4).
"Basil recommended above all that young people grow in virtue, in the right way of living: "While the other goods... pass from one to the other as in playing dice, virtue alone is an inalienable good and endures throughout life and after death" (Ad Adolescentes 5).
"Dear brothers and sisters, I think one can say that this Father from long ago also speaks to us and tells us important things.
"In the first place, attentive, critical and creative participation in today's culture.
"Then, social responsibility: this is an age in which, in a globalized world, even people who are physically distant are really our neighbours; therefore, friendship with Christ, the God with the human face.
"And, lastly, knowledge and recognition of God the Creator, the Father of us all: only if we are open to this God, the common Father, can we build a more just and fraternal world."
To read the whole of St Basil's Address to Young Men on the Right Use of Greek [i.e. pagan] Literature click here.
Over the next few weeks I shall try to explore a few different approaches, starting with one suggested by Pope Benedict in his General Audience on St Basil:
"Basil," he said, "was of course also concerned with that chosen portion of the People of God, the youth, society's future. He addressed a Discourse to them on how to benefit from the pagan culture of that time.
He recognized with great balance and openness that examples of virtue can be found in classical Greek and Latin literature. Such examples of upright living can be helpful to young Christians in search of the truth and the correct way of living (cf. Ad Adolescentes 3).
"Therefore, one must take from the texts by classical authors what is suitable and conforms with the truth: thus, with a critical and open approach - it is a question of true and proper "discernment"- young people grow in freedom.
"With the famous image of bees that gather from flowers only what they need to make honey, Basil recommends: "Just as bees can take nectar from flowers, unlike other animals which limit themselves to enjoying their scent and colour, so also from these writings... one can draw some benefit for the spirit. We must use these books, following in all things the example of bees. They do not visit every flower without distinction, nor seek to remove all the nectar from the flowers on which they alight, but only draw from them what they need to make honey, and leave the rest. And if we are wise, we will take from those writings what is appropriate for us, and conforms to the truth, ignoring the rest" (Ad Adolescentes 4).
"Basil recommended above all that young people grow in virtue, in the right way of living: "While the other goods... pass from one to the other as in playing dice, virtue alone is an inalienable good and endures throughout life and after death" (Ad Adolescentes 5).
"Dear brothers and sisters, I think one can say that this Father from long ago also speaks to us and tells us important things.
"In the first place, attentive, critical and creative participation in today's culture.
"Then, social responsibility: this is an age in which, in a globalized world, even people who are physically distant are really our neighbours; therefore, friendship with Christ, the God with the human face.
"And, lastly, knowledge and recognition of God the Creator, the Father of us all: only if we are open to this God, the common Father, can we build a more just and fraternal world."
To read the whole of St Basil's Address to Young Men on the Right Use of Greek [i.e. pagan] Literature click here.
Monday, 12 September 2011
Literature and Prayer
Pope Benedict recently returned to a topic which appears to be close to his heart: the role of artists in the Church.
In his weekly audience he spoke of the ways in which art "resembles a door open on to the infinite, on to a beauty and a truth that go beyond the daily routine" and specifically mentioned Paul Claudel, the great Catholic poet and dramatist.
What I really like about the pope's comments was the way in which he started his talk: "In this period I have recalled several times the need for every Christian, in the midst of the many occupations that fill our days, to find time for God and for prayer." Easier said than done? Well, it depends, at least in part, on our conception of prayer.
According to the Pope, "The Lord himself gives us many opportunities to remember him. Today I would like to reflect briefly on one of these channels that can lead to God and can also be of help in the encounter with him. It is the way of artistic expression, part of that “via pulchritudinis” — the “way of beauty”, of which I have spoken several times and whose deepest meaning must be recovered by men and women today."
Pope Benedict has spoken of the Way of Beauty before but this is, I think, the first time he has explicitly linked Art and prayer: "some artistic expressions are real highways to God, the supreme Beauty; indeed, they help us to grow in our relationship with him, in prayer. These are works that were born from faith and express faith. We can see an example of this when we visit a Gothic cathedral: we are enraptured by the vertical lines that soar skywards and uplift our gaze and our spirit, while at the same time we feel small yet long for fullness...."
"Dear friends, I ask you to rediscover the importance of this path also for prayer, for our living relationship with God. Towns and villages throughout the world contain treasures of art that express faith and beckon to us to return to our relationship with God. May the visits to places filled with art, then, not only be opportunities for cultural enrichment — that too — but may they become above all moments of grace, incentives to strengthen our bond and our dialogue with the Lord so that — in switching from simple external reality to the more profound reality it expresses — we may pause to contemplate the ray of beauty that strikes us to the quick, that almost “wounds” us, and that invites us to rise toward God."
It puts a different gloss on what we're doing as English teachers.
In his weekly audience he spoke of the ways in which art "resembles a door open on to the infinite, on to a beauty and a truth that go beyond the daily routine" and specifically mentioned Paul Claudel, the great Catholic poet and dramatist.
What I really like about the pope's comments was the way in which he started his talk: "In this period I have recalled several times the need for every Christian, in the midst of the many occupations that fill our days, to find time for God and for prayer." Easier said than done? Well, it depends, at least in part, on our conception of prayer.
According to the Pope, "The Lord himself gives us many opportunities to remember him. Today I would like to reflect briefly on one of these channels that can lead to God and can also be of help in the encounter with him. It is the way of artistic expression, part of that “via pulchritudinis” — the “way of beauty”, of which I have spoken several times and whose deepest meaning must be recovered by men and women today."
Pope Benedict has spoken of the Way of Beauty before but this is, I think, the first time he has explicitly linked Art and prayer: "some artistic expressions are real highways to God, the supreme Beauty; indeed, they help us to grow in our relationship with him, in prayer. These are works that were born from faith and express faith. We can see an example of this when we visit a Gothic cathedral: we are enraptured by the vertical lines that soar skywards and uplift our gaze and our spirit, while at the same time we feel small yet long for fullness...."
"Dear friends, I ask you to rediscover the importance of this path also for prayer, for our living relationship with God. Towns and villages throughout the world contain treasures of art that express faith and beckon to us to return to our relationship with God. May the visits to places filled with art, then, not only be opportunities for cultural enrichment — that too — but may they become above all moments of grace, incentives to strengthen our bond and our dialogue with the Lord so that — in switching from simple external reality to the more profound reality it expresses — we may pause to contemplate the ray of beauty that strikes us to the quick, that almost “wounds” us, and that invites us to rise toward God."
It puts a different gloss on what we're doing as English teachers.
Friday, 19 August 2011
A little summer reading
I sometimes include the Bible, or particular books of the Bible, on my recommended reading lists; my students usually respond with expressions of complete incredulity. But I'm glad to see I'm not alone. Here are the Pope's suggestions for vacation reading:
When we have a break from our activities, especially in the holidays, we often take up a book we want to read. It is on this very aspect that I would first like to reflect today.
Each one of us needs time and space for recollection, meditation and calmness.... Thanks be to God that this is so! In fact, this need tells us that we are not made for work alone, but also to think, to reflect or even simply to follow with our minds and our hearts a tale, a story in which to immerse ourselves, in a certain sense “to lose ourselves” to find ourselves subsequently enriched.
Of course, many of these books to read, which we take in our hands during our vacation are at best an escape, and this is normal. Yet various people, particularly if they have more time in which to take a break and to relax, devote themselves to something more demanding.
I would therefore like to make a suggestion: why not discover some of the books of the Bible which are not commonly well known? Or those from which we heard certain passages in the liturgy but which we never read in their entirety? Indeed, many Christians never read the Bible and have a very limited and superficial knowledge of it. The Bible, as the name says, is a collection of books, a small “library” that came into being in the course of a millennium.
Some of these “small books” of which it is composed are almost unknown to the majority, even people who are good Christians.
Some are very short, such as the Book of Tobit, a tale that contains a lofty sense of family and marriage; or the Book of Esther, in which the Jewish Queen saves her people from extermination with her faith and prayer; or the Book of Ruth, a stranger who meets God and experiences his providence, which is even shorter. These little books can be read in an hour. More demanding and true masterpieces are the Book of Job, which faces the great problem of innocent suffering; Ecclesiastes is striking because of the disconcerting modernity with which it calls into question the meaning of life and of the world; and the Song of Songs, a wonderful symbolic poem of human love. As you see, these are all books of the Old Testament. And what about the New? The New Testament is of course better known and its literary genres are less diversified. Yet the beauty of reading a Gospel at one sitting must be discovered, just as I also recommend the Acts of the Apostles, or one of the Letters.
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